PIX today announced that it had reached an agreement to acquire London-based Codex, in a move that will enable PIX and Codex to deliver a range of new products and services, including streamlined camera capture to post-production finishing. Serving complementary roles in the production process, both PIX and Codex share an approach to delivering high-end streamline solutions that keep pace with the industry’s rapidly evolving needs.
Honduran cinema chain Metrocinemas has chosen Christie RGB pure laser projectors and Christie Vive Audio for its new Metrocinemas Megamall multiplex. The multiplex is set to be the first in Central America equipped entirely with RGB laser projectors.
With just a few days left before the year’s most anticipated film hits theatres, Fandango is reporting that more than 4,000 Avengers: Endgame showtimes have already sold out at theatres across the country – from big cities to small towns, from Hilo, Hawaii to Newington, New Hampshire. The nation’s theatre chains are constantly posting new showtimes and adding new screens for Endgame on Fandango to meet the fan demand.
B&B Theatres has opened another MX4D auditorium, bringing the theatre chain’s total to six. “Our continued partnership with MediaMation proves our belief in MX4D,” said Brock Bagby, executive vice president of B&B Theatres. Situated on the Kansas/Missouri state line, Overland Park is the second largest city in Kansas with nearly 200,000 residents. The theatre also has the ability to draw from the nearby Kansas City metropolitan area, which boasts almost 500,000 peoples.
The Cinema Advertising Council today announced that 2018 revenue among CAC members reached $781,190,000, surpassing $750 million for the third year in a row. This marks the fourth year in a row of national and regional revenue growth.
CJ CGV announced today that it will open its third U.S. location at 1000 Van Ness Avenue in San Francisco, California in early 2020. Strategically located in Downtown San Francisco, near the Civic Center and Union Square, one of the most visited tourist attractions in the nation, the new theatre will feature 14 screens and 2,217 seats.
For fans that want to watch every Marvel movie in one sitting, Showcase Cinemas in Revere, Massachusetts has it covered. As the exclusive New England location to host the 22-movie Marvel marathon beginning Tuesday, April 23 and concluding Thursday April 25, Showcase Cinema de Lux Revere is doing its best to make the two-day sacrifice a little easier for Marvel fans. Participants will have access to shower stations to clean up, yoga breaks to stretch and relax in between movies. Portable cell phone charging lockers will also be available. In addition, food breaks are scheduled and concessions will be discounted by twenty-two percent.
GDC Technology has signed a partnership agreement with Veritek Global to provide network operation center services. GDC customers in Europe can expect to be connected to Veritek’s GDC-qualified engineers to ensure equipment is operating without disruption or downtime. As part of the agreement, Veritek’s field engineering teams will be utilized not only for major deployments, but also for any on-site servicing needs across the UK, France, Germany, Belgium, Switzerland, The Netherlands, Spain, Portugal, Italy and beyond. This service enhancement across Europe compliments GDC’s industry leading products with an equally robust support solution.
Studio Movie Grill has received a strategic growth investment of $100 million from TowerBrook Capital Partners, an international investment management firm. The partnership will help drive SMG’s next stage of accelerated growth, as the company continues to open in-theater dining locations across the United States.
From the earliest days of feature length films until the 1980s, the movie going experience typically happened in a very large theatre with a really big screen. Faced with rising costs and increasing competition from television, exhibitors of that sad era cut their buildings into multi-screen complexes to increase ticket sales and maximize profits on concessions. Today, faced with a different set of economic realities, exhibitors around the world are increasingly responding by creating movie palaces that rival all but the most spectacular theatres of the turn of the last century. One trend at this year’s CinemaCon, which wrapped up last week, was the continuing rise of premium large format theatres. Another trend was the almost comical trashing of Netflix. PLF theatres and Netflix are both here to stay; we’ve been here before