Screenvision Media has announced new gaming episodes for their Front + Center preshow. Produced by the company’s in-house creative team, 40 Foot Solutions, the new episodes feature gaming expert Jessica Chobot giving moviegoers a preview of some of the industry’s latest innovations and technological advancements.
Universal Pictures’ Jurassic World: Fallen Kingdom has become the highest grossing film released in 4DX, CJ 4DPlex’s innovative cinematic format. It is also the second film to surpass two million in attendance.
In response to what it says is the shifting intersection of theatrical film distribution and moviegoers’ accelerating trend towards in-home entertainment, new over-the-top company Row8 is launching what it claims will be the most cinematic and highest security digital streaming service – initially focused on exclusive premieres of foreign theatrical titles in the U.S. market. Row8’s goal is to elevate the experience of viewing theatrical features at home, presenting quality filmmaking fresh from theaters to targeted and passionate audiences
Warner Bros. Pictures and ScreenX are expanding their ongoing partnership to release the epic, action-packed undersea adventure The Meg in the immersive premium format. The film, from Warner Bros. Pictures and Gravity Pictures, opens in cinemas worldwide beginning August 10.
Link Digital Cinema China Technology, Beijing has signed an agreement to purchase additional D-Box motion systems in an effort to meet the growing demand for premium entertainment experiences. In a previous agreement, Link China installed seven D-Box screens for key locations across the country. With this new contract, D-Box is expected to install many more screens before the end of the year with some already in the installation process.
Ymagis Group today reported its consolidated financial results for the first sixth months of 2018, ending June 30. Ymagis Group reported €79.3 million in revenue during the first half of 2018, a 3.6 percent decrease compared to the prior year period. The Group's non-virtual print fee activities are especially seasonal with strong sales traditionally in the second half of 2018, peaking in Q4.
Arts Alliance Media first opened its doors in London June 17, 2003. In those very early days of digital cinema, the new company and its ten employees carved out a space in technology and what was then called alternative content. The company divested itself of the alternative content business a few years ago to focus on what has long been its core strength: cinema technology. AAM launched its first theatre management system in 2007 and, in 2008, completed the first virtual print fee rollout in Europe with French chain CGR. Today AAM has more than 140 employees spread over three offices in London, Amsterdam, and Guangzhou, China. I recently spoke via email with AAM’s chief executive officer Patrick Foley, and chief technology officer Richard Phillips about those early days of the company and, more importantly, to get their thoughts about the future of digital cinema technology.
Dolby Laboratories and the Kuwait National Cinema Company have entered into a three-screen agreement for the first deployments of Dolby Cinema in Kuwait. The first site is expected to open later this year at the 360 Mall in Kuwait City with KNCC operating under the Cinescape brand.
Cinemas worldwide are preparing for what is now commonly called the second wave: a technology renewal where they will install next-generation digital projection equipment. However, the journey ahead poses different considerations and challenges compared to the film-to-digital conversion of the first wave. Before we forge ahead, it’s important that we consider the old adage: To know where we’re going, we need first to know where we’ve been. So let’s take a look.
The Event Cinema Association has named Grainne Peat to be its new managing director. She replaces ECA founder Melissa Cogavin who recently stepped down as managing director.