American Dreams in China, director Peter Chan's first digital cinema effort, was shot on Arri Alexa and recorded on Codex. Chan’s strong affection for the filmic look determined how the film would be graded and finished in post. Colorist Antonio Zhang of the Chinese facility Post Production Office Group supervised the entire process.
The Big Picture
Arri Rental’s Alexa 65 camera system was officially launched last night in front of a packed audience at the Linwood Dunn Theater in Los Angeles.
Dolby Laboratories today announced Dolby Cinema, a branded premium cinema offering for exhibitors and moviegoers the company says combines spectacular image and sound technologies with inspired design to make every visit a completely captivating cinematic event
How does a young man some called “a wastrel” become, at just 33, Julius Caesar, ruler of the known world? For writer, director, producer Paul Schoolman, that question was the genesis of his new film Jail Caesar. Starring Derek Jacobi as Sulia, John Kani as Marius and Alice Krige as the Pirate Captain, the movie is set in three South African prisons and features prisoners in key roles. The film has won several major awards around the world and will be available on Netflix later this year. I spoke via several emails with Schoolman and co-producer Krige, about the long, hard task of bringing Jail Caesar to life.
As was widely reported last week, a new film studio has opened in North Austin, Texas under the direction of a partnership between Bulltiger Productions and 25 year industry veteran Randall P. Dark. Stephen Brent formed Bulltiger Productions in 2011 to develop film, games, mobile apps and graphic novels. Dark is the founder of HD Vision in New York City and Dallas, a co-founder of HD Vision Studios in Los Angeles. I spoke with Dark to learn more about the new facility.
With knowing irony, the filmmakers behind the new independent horror feature Found Footage 3D, call their movie “the Scream of the found footage genre,” and it’s part of the point they’re making. “Of course, shooting a found footage movie in 3D doesn’t make a damn bit of sense,” says Steven DeGennaro, the movie’s writer, director and producer.
As was widely reported earlier this week, Dolby Laboratories has completed its acquisition of Doremi Labs. According to the announcement, the deal advances Dolby's mission to improve the cinema experience, enable new forms of storytelling, and accelerate the delivery and deployment of innovative solutions to exhibitors. I spoke exclusively with Doug Darrow, Dolby’s senior vice president, cinema, to better understand what this deal means.
Event cinema history was made last month in Ireland and the UK when Billy Elliot the Musical Live topped the UK box office for a weekend, beating the Denzel Washington thriller The Equalizer (£1.90million-£1.89 million).
Al Caudullo’s documentary Muay Thai Madness is one of the first projects to be shot in 4K Ultra HD. The movie goes inside the Treasurers of Thailand – Mixed Martial Arts, which is the country’s centuries old national sport. Digital Cinema Report interviewed Caudullo via email about his documentary and, in particular, about his experience with 4K Ultra HD.
An independent filmmaker with many successes to his credit said it best: “Forget the show. Remember the business.” The most common mistake that new filmmakers make is to ignore the business side of the show business equation. And yet the financial aspects of show business are typically the most challenging. Last week in New York’s Gramercy Park neighborhood, the equipment sales and rental house Adorama hosted a panel of veteran filmmakers to discuss current approaches to motion picture finance and give practical advice about how producers can earn a return on their investment. More than fifty people crowded into the small meeting room for the discussion, which was moderated by Digital Cinema Society president James Mathers, himself a successful indie film cinematographer. The panelists brought a wide range of experiences to the conversation.