The Big Picture

Cinema Advertising Widens its Reach

Thu, 10/22/2015 - 11:16 -- Nick Dager

While Hollywood feature films continue to be the main revenue source for exhibitors, digital cinema technology has opened the doors to advertising revenue both in preshows on the big screen and, increasingly, on digital displays in the lobby. Katy Loria, chief revenue officer, Screenvision, is optimistic about the future for both advertising options.

Bringing New Audiences to Movie Theatres

Wed, 10/14/2015 - 12:53 -- Nick Dager

Kymberli Frueh, vice president, programming of Fathom Events, is passionate about her work. In her decade with the event cinema company she has seen the business experience steady growth and is proud of the revenue she’s added to the bottom line. But, she said, there are other positives. “It’s not just about the ticket sales,” said Frueh. “Look at what kind of audiences we’re bringing back to the theatre. These are people who haven’t been inside a movie theatre in years.”

DCDC: Questions Remain

Wed, 10/07/2015 - 11:36 -- Nick Dager

Two years ago this month, a new organization – the Digital Cinema Distribution Coalition – launched what was then billed as “the industry’s first-ever digital theatrical delivery service.” With the launch, DCDC began servicing its founding companies by transporting feature films and other content via satellite across the United States. That DCDC was not the first to do this was beside the point. DCDC had the backing and the blessing of those founding members: Warner Bros. Entertainment, Universal Pictures, Regal Entertainment Group, Cinemark Theatres and AMC Theatres. Today, DCDC has a virtual lock on its market, but questions remain regarding its long-range potential.

Global Goals: #WeHaveAPlan

Mon, 09/28/2015 - 11:41 -- Nick Dager

Last Friday, September 25th, digital cinema history was made and the course of cinema advertising and marketing changed forever, with the release of a 60-second commercial promoting the United Nations’ Global Goals initiative. The upbeat ad, titled #WeHaveAPlan, was animated by Aardman Animations, directed by Sir John Hegarty and narrated by Liam Neeson and Michelle Rodriguez with music from Peter Gabriel. The ad was mixed in Dolby 5.1 and Dolby Atmos immersive sound technology, and mastered and distributed to more than 30 countries in all cinema formats by Unique Digital. It was the first global cinema ad ever distributed and was done on behalf of SAWA the Global Cinema Advertising Association. In the U.S the ad will run on the networks of Cinema Advertising Council members National CineMedia, Screenvision and Spotlight Cinema. The ad premiered in New York’s 42nd Street AMC Empire prior to its worldwide exhibition and will continue running around the world for a year.

Netflix and the Future of Event Cinema

Tue, 09/08/2015 - 09:25 -- Nick Dager

Let’s be clear about one thing: there is no such thing as alternative content. People do not leave the comfort of their homes to pay twenty dollars and more to sit in a movie theatre to watch something inferior or alternative. They gladly pay higher ticket prices because they enjoy events targeted at their specific interests. For big screens, great sound and comfortable reclining seats in a room with like-minded people. For the shared experiences of opera, theatre, concerts, sports, and more: a wide and growing range of programs. These aren’t alternatives to anything; these are events that, until only recently, people could never see this way. And let’s be clear about one more thing: Netflix will play a major roll in the future of event cinema.

CinemaCenter Installs Argentina’s First Laser Projector

Tue, 08/11/2015 - 13:22 -- Nick Dager

Esteban Sune is the fourth generation of his Argentinian family in the exhibition business. His great grandfather opened the family’s first theatre in 1910 to show silent films. Some eighty years later, the theater concept changed from the big single screen houses to multiplexes and Cinemacenter was born. Sune, the company’s managing director, recently installed his country’s first laser projector – an NEC NC1100L. I spoke with him about that experience and about the exhibition business in general.

Crafting the Sounds of Southpaw

Thu, 08/06/2015 - 12:43 -- Nick Dager

One of Hollywood’s most gifted action directors, Antoine Fuqua explores the rarified violence of the boxing ring in his latest film Southpaw, released this month by The Weinstein Company. The director’s visceral boxing imagery is supported by a meticulously crafted soundtrack, created by a team from Sony Pictures Post Production Services led by supervising sound editor Mandell Winter, sound designer David Esparza and re-recording mixers Steve Pederson and Daniel J. Leahy.

HBO Gets Very Semi-Serious

Thu, 07/30/2015 - 17:30 -- Nick Dager

HBO has acquired U.S. rights to Very Semi-Serious: A Partially Thorough Portrait of New Yorker Cartoonists, directed by Leah Wolchok and produced by Davina Pardo. An offbeat meditation on humor, art and the genius of the single panel, the feature-length documentary debuts December 7 exclusively on HBO, following a limited theatrical run November 20 through December 3 in New York at Lincoln Plaza, in San Francisco at the Roxie Theater, and in Los Angeles.


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