The Library of Congress is once again providing a unique opportunity for film scholars and archivists to play cinematic detective by participating in its free Mostly Lost workshop. The case is solving riddles and finding clues to the identity of unidentified, under-identified or misidentified silent and early sound films. The scene is the state-of-the-art theater at the Packard Campus in Culpeper, Virginia, and the date is Thursday, June 16, through Saturday, June 18.
Universal Pictures and The Film Foundation celebrated the Cannes Film Festival with the world premiere screening of the newly restored 1961 film, One-Eyed Jacks, starring and directed by Marlon Brando. Steven Spielberg and Martin Scorsese, who had long advocated for the film's restoration, closely supervised the work to ensure the restoration honored Brando's original artistic vision. One-Eyed Jacks was digitally scanned in 6K and restored in 4K from the original 35mm VistaVision negative.
In the spring of 2015, Trent Opaloch began a huge undertaking as director of photography on a new entry in the Marvel Cinematic Universe. The bar is set high – as a production unit, Marvel has been a smashing success – but one advantage is the solid workflow that Marvel has developed over the course of a dozen feature films.
The Federation Internationale Cinema Television Sportifs has selected WCPMedia Services’ cloud-based digital asset management system to receive, manage, store and distribute submissions to its 2016 FICTS Festivals and World FICTS Challenge.
New York-based production and post-production studio Nice Shoes has deployed Quantum's new Xcellis high-performance, shared workflow storage. Working with Quantum partner Alliance IT, the creative house incorporated Xcellis into its environment to provide greater flexibility in optimizing its collaborative media workflow and in scaling storage capacity and performance.
The Digital Asset Symposium presented by the Association of Moving Image Archivists has crafted a comprehensive program that addresses the challenges of digital asset management in today’s constantly changing landscape. The event takes place May 4 at the Victor Borge Theater in New York. Six case study presentations from experts in the field will explore the many facets of the life cycle of content – from collection and maintenance strategies to delivery with the purpose of reaching new, bigger audiences.
Codex has integrated Codex Live, the color management and look-creation system enabling set-to-post color confidence, with OffHollywood’s OMOD for Red Digital Cinema cameras. This technology collaboration delivers a fast and robust set-to-post solution for Red camera workflows, and also enables live high dynamic range on-set grading for the first time.
WCPMedia Services has partnered with Aspera to embed Aspera FASP high-speed file transfer technology into the WCP platform to ingest and deliver large rich-media assets quickly and securely.
Secure video sharing platform MediaSilo has released SafeStream, an on-demand watermarking system that embeds user-identifiable information as a visual watermark into video files in real-time. Amidst explosive original content growth in the media and entertainment industry, there’s an increasing need for creators to protect content in all stages of the production process, from pre-release to distribution. To prevent leaks, content creators have been forced to choose between locking down content or facing potential revenue loss from unauthorized distribution. SafeStream redefines that tradeoff.
Signiant has announced the integration of its Manager + Agents software with the Avid Interplay MAM system. Customers can now initiate accelerated file transfers from within Interplay | MAM, making it easier than ever to use the power of Signiant technology in support of global creative processes.