Codex has integrated Codex Live, the color management and look-creation system enabling set-to-post color confidence, with OffHollywood’s OMOD for Red Digital Cinema cameras. This technology collaboration delivers a fast and robust set-to-post solution for Red camera workflows, and also enables live high dynamic range on-set grading for the first time.
WCPMedia Services has partnered with Aspera to embed Aspera FASP high-speed file transfer technology into the WCP platform to ingest and deliver large rich-media assets quickly and securely.
Secure video sharing platform MediaSilo has released SafeStream, an on-demand watermarking system that embeds user-identifiable information as a visual watermark into video files in real-time. Amidst explosive original content growth in the media and entertainment industry, there’s an increasing need for creators to protect content in all stages of the production process, from pre-release to distribution. To prevent leaks, content creators have been forced to choose between locking down content or facing potential revenue loss from unauthorized distribution. SafeStream redefines that tradeoff.
Signiant has announced the integration of its Manager + Agents software with the Avid Interplay MAM system. Customers can now initiate accelerated file transfers from within Interplay | MAM, making it easier than ever to use the power of Signiant technology in support of global creative processes.
Cinecittà Studios recently used WCPMedia Services’ cloud-based digital asset management platform WCPApp to send high resolution scans of Federico Fellini’s 1985 comic masterpiece Ginger and Fred to Paris as part of a new remastering project.
DFT has unveiled new WetGate technology for its latest Scanity HDR film scanner. The patented technology is designed specifically for DFT’s Scanity HDR model providing a real-time organic solution for the ingest and management of difficult to solve historical film transfer issues – such as dust and scratch removal – surpassing prior transfer standards. The company says the WetGate is ideal for archive owners who need a scanner that’s able to handle a range of problematic and historically aged film issues.
MTI Film will debut the latest version of its dailies and media management software Cortex next month during the National Association of Broadcasters convention in Las Vegas. New features include IMF deliveries, dead pixel correction, Dolby Vision, 4K up-resing and editing, as well as many UI improvements. Originally conceived as a streamlined dailies processing application, Cortex has developed into an end-to-end solution for managing media from the set through delivery.
Italian/UK digital media workflow specialist Kiwii Digital Solutions recently managed the production dailies of the new movie Tini: The Big Change in Violetta using the WCPApp from WCPMedia Services. The cloud-based platform made it possible to deliver dailies and other media from the film’s set in Italy to its editorial team in Spain virtually instantaneously, saving significant time and costs.
The Association of Moving Image Archivists has announced May 4 as the date for the New York outing of its annual Digital Asset Symposium, a day of engaging and educational discussions on the most current challenges and breakthroughs in managing digital assets. This year the event will be held at the Victor Borge Theatre in Manhattan.
The Walk feature film, Atomic Fiction’s digital recreation of 1974 New York City—complete with hot dogs steaming on a vendor cart—earned the praise of critics who proclaimed the movie “a visual spectacle” with effects “so grand it’s easy to forget you’re watching a virtual 100 percent CG-created world.” Less visible but equally important to filmmaker clients is the studio’s behind-the-scenes production artistry. Marc Sadeghi, president of Visual Effects at Atomic Fiction said, “By combining the power of technology, the creativity of passionate artists, and a collaborative approach to working with filmmakers, we’re able to overcome the challenges inherent to VFX production. As a result, we can satisfy both the VFX appetites and production deadlines of our clients.”