A new report says that nearly three-quarters of all visits to film & TV specific piracy sites in 2015 used web streaming as their method of consuming illegal content, highlighting a clear piracy audience trend change away from content ownership using P2P/Torrents or web downloads.
WCPMedia Services’ cloud-based digital asset management platform is currently being used to manage content for Sports Memories: Rio 2016, a traveling sports media exposition depicting—after 10 years of intensive restoration—a cinematic history of world Olympic and Brazilian sports spanning 100 years.
Pixspan has released its PixMover software, now supporting 4K workflow speeds. The new GPU-enabled PixMover, when used with a dual-processor server and Nvidia M6000 GPU card, operates two-to-four times faster than with a CPU-only server. The company will be demonstrating this latest version of PixMover at the Innovation Zone during the HPA Tech Retreat UK, July 13-14 in Oxfordshire, England.
The Association of Moving Image Archivists has launched an online campaign called We Are AMIA with the goal of raising awareness in the industry about the critical need to preserve our motion picture heritage.
Universal Pictures premiered the restored 1929 silent film classic The Last Warning June 4 at the Castro Theater as part of the San Francisco Silent Film Festival. Directed by Paul Leni and starring Laura La Plante, The Last Warning is a dramatic horror centered on an unsolved murder during a theatrical performance and the revival production meant to solve the mystery. This restored version is a part of Universal's silent restoration initiative announced last year.
The television series The Young Pope, a joint production by Sky, HBO and Canal Plus, produced by Wildside and co-produced by Haut et Court and MediaPro, is currently using WCPMedia Services’ virtual screening room and collaboration platform to share media during production and post, and to deliver trailers to target buyers.
Ymagis Group has announced the June 8 launch of Celluloid Angels, the first crowd-funding platform to finance the restoration of heritage/classic films. Celluloid Angels will enable visitors to participate in a unique experience by assisting in the conservation of international heritage films in a meaningful way.
The Library of Congress is once again providing a unique opportunity for film scholars and archivists to play cinematic detective by participating in its free Mostly Lost workshop. The case is solving riddles and finding clues to the identity of unidentified, under-identified or misidentified silent and early sound films. The scene is the state-of-the-art theater at the Packard Campus in Culpeper, Virginia, and the date is Thursday, June 16, through Saturday, June 18.
Universal Pictures and The Film Foundation celebrated the Cannes Film Festival with the world premiere screening of the newly restored 1961 film, One-Eyed Jacks, starring and directed by Marlon Brando. Steven Spielberg and Martin Scorsese, who had long advocated for the film's restoration, closely supervised the work to ensure the restoration honored Brando's original artistic vision. One-Eyed Jacks was digitally scanned in 6K and restored in 4K from the original 35mm VistaVision negative.
In the spring of 2015, Trent Opaloch began a huge undertaking as director of photography on a new entry in the Marvel Cinematic Universe. The bar is set high – as a production unit, Marvel has been a smashing success – but one advantage is the solid workflow that Marvel has developed over the course of a dozen feature films.