Leslie Carney has more than twenty years of experience in television post-production. Working as post supervisor for MTV's Stranded with a Million Dollars, which will air February 21, she recently delivered 10 one-hour episodes. An efficient workflow has rarely been more critical. “The show was challenging,” said Carney. “It was shot over 40-days using 14 different types of cameras, including RoboCams and 4K Drones. We had to deal with a massive amount of media and all kinds of frame-rates and codecs.”
Chainsaw Edit is part of the Sim Group family and has two post facilities in Hollywood. When they started looking for ways to better handle their growing demand for multiple file format deliveries, they chose Cinedeck.
MTI Film has released DRS Nova 2.3, an upgrade to its software for digital film restoration. The new release includes a host of new and enhanced features created in response to requests from restoration professionals worldwide. All are aimed at making such tasks as dust busting, image stabilization and de-warping faster and easier.
Quantum has released StorNext 5.4, a new version of the company's workflow storage platform that enhances the efficiency and flexibility of media content management. StorNext 5.4 enhancements include the ability to integrate existing public cloud storage accounts and third-party object storage (private cloud) — starting with Amazon Web Services, Microsoft Azure, Google Cloud, NetApp StorageGRID, IBM Cleversafe and Scality RING — as archive tiers in a StorNext®-managed media environment. Another new feature enables users to deploy applications embedded within StorNext-powered Xcellis workflow storage appliances.
Data management company DCIMPro360 has named post-production veteran Patrick Howley to be its director of technology. Howley has more than 40 years of experience as an engineer, consultant, sales director, project manager, and owner/operator of a large digital production and post-production center.
Sony Pictures Post Production Services has extended its long-standing relationship with Wazee Digital through December 2017. Under the extended contract, Sony Pictures will continue using Wazee Digital Core and its automated metadata-processing technology to store, view, and manage assets from Sony Pictures' inventory of feature films, including stock footage, full-length features, and clip selects.
Primestream has introduced Virtual Reality/360 asset management support in Xchange Suite, for workflows from capture through delivery. These new features enable storytellers and content creators to produce and store VR/360 content while leveraging collaborative workflows in a metadata rich environment.
Creators, artists, musicians and filmmakers, on the one hand, defend their legitimate right to reap the benefits of their work. Internet users and public at large, on their part, claim a fundamental right to access information and culture online on fair terms and by means of more attractive business models. How can the current copyright laws respond to all these challenges? What should be the role of internet intermediaries in the enforcement of copyright online? And more generally in this context, how to combine effective protection with the principle of net neutrality?
The post-production team for the Canadian family drama series Backstage is again relying Facilis TerraBlock for their collaborative editorial workflow for its second season. Ellen Fine, CCE (Canada Cinema Editor) is the supervising editor and consulting producer on Backstage. The series is produced by Fresh TV and distributed by DHX. It currently airs on the Family Channel in Canada and on the Disney Channel in the US and worldwide.
Archion Technologies has announced that its Omni and Omni Hybrid network-attached storage systems – designed for 4K workflows in post-production, finishing, graphics, visual effects, and other types of video media – have been certified for use with Blackmagic Design’s DaVinci Resolve and DaVinci Resolve Studio.