Italy’s historic Istituto Luce–Cinecittà has selected WCPMedia Services to manage its massive catalog of Italian feature films and documentaries. The state-owned film producer, distributor and archive will use WCPMedia’s cloud-based platform to market, sell and distribute films to buyers worldwide.
The Society of Motion Picture and Television Engineers today announced the publication of the Report of the Study Group on Flow Management in Professional Media Networks. The new, 52-page report investigates current and future technologies for media content flow management in professional media networks, explores user requirements, examines potential transmission methods for management commands, provides an overview of existing standards and specifications now available to the professional media industry, and offers a series of recommendations to the industry including some for future work.
For most of the country, the arrival of fall means cooler temperatures and leaves turning colors, but in Hollywood it marks the official start of awards season and with it the annual deluge of Academy screeners.
For the third straight year, Italy’s Mercato Internazionale Audiovisivo has selected WCPMedia Services’ cloud-based media management platform to manage film, television, documentary and gaming content. Relied on by festivals, studios and broadcasters worldwide, WCPMedia Services provided a fast and simple way for producers and distributors to submit projects to MIA and share them, securely, with potential buyers both at the market and around the globe.
Dennis Doros, co-owner of Milestone Films, has been elected president of the international Association of Moving Image Archivists. Doros will be inducted into office at the annual AMIA Conference in New Orleans November 29 – December 2, when he will begin a two-year term. He succeeds Andrea Kalas, who has led the organization forward for the past two years.
Modern Cinema Group has filed a patent application for a system designed to solve problems relating to the financing, distribution and promotion of media assets, including movies, television and electronic games. The patent application filed with the U.S. Patent and Trademark Office provides the system design and architecture that allows a futures exchange to trade and hedge media assets in an effort to keep more cash within the distribution supply chain, therefore reducing dependence on banks.
WCPMedia Services has joined the Digital Production Partnership. In joining the media industry’s business change network, WCPMedia is lending its support to the DPP’s mission to encourage the development of a fully digital, global and internet-enabled supply chain for broadcast media.
With the astounding popularity of the animated feature films from Paris-based Illumination Mac Guff, it would seem the whole world already knows about the secret lives of pets and the villainous plots of Gru and his goggle-eyed minions. But few moviegoers—or even the studio’s own digital artists—would guess the inner workings of the production systems behind the stories.
The Reel Thing, a symposium that supports the Association of Moving Image Archivists, will open with the U.S. premiere of a new restoration of the Oscar-nominated 1960 film La Verite (The Truth). Two additional new 4K restorations also will be shown during The Reel Thing, including the U.S. premiere of Howard Hawks’ Scarface and the world premiere of Alex Cox’s Sid and Nancy. The Reel Thing takes place August 24-26 at the Academy of Motion Picture Arts and Sciences’ Linwood Dunn Theater in Hollywood.
Film-marketing agency Picture Production Company is the first facility to place an order for the EditShare XStream EFS 300 single-node, scale-out storage platform. Renowned for its creative work, PPC has locations in Soho, London and Los Angeles, and produces trailers, television spots and online video for some of the world’s largest film studios.