Technicolor PostWorks New York and Prasad Corporation have formed a strategic partnership to provide full-service film scanning and digital restoration services in 8mm, Super8, 16mm, 35mm, 65mm, 2K, and 4K for archival preservation purposes for classic independent films readying for re-release.
The Fraunhofer Institute for Integrated Circuits IIS presents its new software development kit with optimized functions to code images with the new JPEG XS codec. JPEG XS is suited for use in production environments where high-resolution image data of up to 8k/60p UHD video must be transferred via Ethernet. The coding specialists of Fraunhofer IIS will demonstrate the JPEG XS codec as complete live stream with real-time playback.
The Hollywood Section of the Society of Motion Picture and Television Engineers will review emerging storage and workflow systems for 4K post-production at its monthly meeting September 19 in Hollywood.
Deluxe has launched the Content & Key Manager to replace their existing Cinema Portal platform. The Content & Key Manager has been integrated as a service within Deluxe One – the company's flagship cloud-based platform that unifies each stage of the content supply chain, creating an end-to-end ability to manage assets and requirements from creation to delivery.
Arts Alliance Media first opened its doors in London June 17, 2003. In those very early days of digital cinema, the new company and its ten employees carved out a space in technology and what was then called alternative content. The company divested itself of the alternative content business a few years ago to focus on what has long been its core strength: cinema technology. AAM launched its first theatre management system in 2007 and, in 2008, completed the first virtual print fee rollout in Europe with French chain CGR. Today AAM has more than 140 employees spread over three offices in London, Amsterdam, and Guangzhou, China. I recently spoke via email with AAM’s chief executive officer Patrick Foley, and chief technology officer Richard Phillips about those early days of the company and, more importantly, to get their thoughts about the future of digital cinema technology.
The Association of Moving Image Archivists, in partnership with The Film Foundation, are offering two levels of training for projectionists and staff presenting 35mm film in theatres this year. Level one will take place in Chicago August 28-30, and level two in Boston October 15-17.
IBC2018 today announced a Cyber Security Forum for broadcasters and media. The event will be part of the annual IBC show at the RAI Convention Center in Amsterdam September 13-18. A one-day, invitation-only event, it will convene chief technology officers, chief information officers, chief information security officers and chief digital officers within media and broadcasting for a conversation on the challenges and opportunities presented by cyber security for broadcasters.
Sony Pictures Entertainment recently completed a 4K restoration of None Shall Escape, the 1943 Columbia Pictures drama widely credited as the first film to address the subject of the Nazi Holocaust. The newly restored film recently had its world premiere at the TCM Classic Film Festival in Hollywood, with one of the film’s stars, 100-year-old actress Marsha Hunt, in attendance.
The Association of Moving Image Archivists’ Digital Asset Symposium returns to New York on June 6, presenting a full day of discussions sharply focused on today’s most compelling topics in asset management. The daylong event will take place once again at the Museum of Modern Art.
Universal Pictures and The Film Foundation have announced a multi-year partnership to restore a handpicked selection of the studios' classic titles. With this collaboration, Universal will fund the restorations as well as provide research and technical services. Through The Film Foundation, Martin Scorsese and Steven Spielberg will be personally involved in the process contributing their unique artistic expertise and historical knowledge throughout the restoration process. The restored versions will be screened at film festivals and archives around the world. The 2018 restoration slate includes the following: