The U.S. comedy series Anger Management from Debmar-Mercury Productions on FX Network has saved an estimated $2.25 million in post-production costs, while supporting the delivery of double the number of episodes typically produced over the same production period. The producers attribute the savings to Cinedeck RX technology
Finland’s Finnkino has announced that its cinemas are being equipped with software from Arts Alliance Media to manage and automate the entire circuit. The deal covers AAM’s enterprise Circuit Management System, Producer, which is designed to make running the chain from one central point simple and intuitive.
Doremi today announced numerous upgrade features to its software-mastering suite CineAsset, which incorporates all of Doremi’s essential workflow tools including CineExport and CinePlayer into one suite.
Light Illusion’s LightSpace CMS color management system now integrates with the FujiFilm IS-mini 3D LUT box. With this integration, users of the LightSpace CMS can now perform automated calibration of any display using the IS-Mini as a patch and signal generator, under direct control of LightSpace CMS, building custom calibration LUTs that can be directly up-loaded into the IS-mini.
While most Hollywood movies and television shows are now produced on digital media, Orange County, California post house Electric Pictures has built a thriving business using video systems that the newer digital technology was meant to replace.
MTI Film recently completed an all-new digital restoration of North to Alaska, Twentieth Century Fox’s 1960 comedy starring John Wayne. Employing proprietary technology and image processing techniques, MTI Film scanned the original 35mm cut negative at 4K before putting the film through an intensive restoration process to address faded color, Newton rings, dirt, scratches and many other defects. MTI Film ultimately delivered fully restored 4K files to produce a new 35mm negative for long-term preservation, along with a 4K DCP Master and high definition masters in a variety of aspect ratios.
Shotgun Software has revealed the details of its next two releases, 5.2 and 5.3, which the company says significantly expand Shotgun's review and approval tools with a new Media App and an integrated Client Review Site.
Producers Keanu Reeves and Justin Szlasa have chosen to create a film element of their feature documentary Side by Side on Kodak Vision 3 Color Digital Intermediate Film 2254. This intermediate post-production step will also provide the producers with a master for making 35mm film prints. The 2254 will then be archived at the Academy Film Archive, which is providing substantial and instrumental support to preserve this culturally significant exploration into the evolution of digital and film formats.
The Library of Congress today unveiled The Survival of American Silent Feature Films: 1912-1929, the first comprehensive survey of American feature films that survived the silent era of motion pictures. Previous documentation established that nearly 11,000 (10,919) silent feature films of American origin were released from 1912 through 1929. There was, however, no definitive, systematic study on how many of these films still existed and where any surviving elements were located in the world’s leading film archives and private collections.
Qube Cinema has sold its digital cinema servers and DCP mastering software to Cinecolor post-production facilities in five Latin American countries. Each of the Cinecolor post houses – in Argentina, Chile, Brazil, Mexico and Columbia – now has a Qube XP-D server in its screening room for QC of its DCPs. Cinecolor Argentina and Columbia also use QubeMaster Pro for mastering DCPs. The DCP mastering and QC equipment enable Cinecolor to meet the growing demand for digital cinema post-production services in Latin America.