4K Technology

ArcLight Cinerama Dome Upgrades for Billy Lynn

Fri, 11/04/2016 - 11:43 -- Nick Dager

ArcLight Cinemas has collaborated with Christie to custom fit the legendary Cinerama Dome in order to properly project the west-coast debut of Academy-award winning director Ang Lee’s Billy Lynn’s Long Halftime Walk in 3D 4K 120 frames-per-seconds, the way it was shot. The debut will be held November 10.

Christie Anchors Festival’s Temporary Cinema

Wed, 10/12/2016 - 13:15 -- Nick Dager

Christie is providing 4K projection to the British Film Institute London Film Festival at a unique temporary cinema that could become a blueprint for others. The Embankment Garden Cinema has also been built in celebration of the LFF’s 60th anniversary. For 11 days, with a 16-meter screen bigger than most London cinemas, the rigid-bodied structure will seat 800 people at London’s Victoria Embankment. It will also screen the LFF’s Official Competition and Strand Gala premieres.

Aqualon Cinemas Installs Six Sony 4K Projectors

Wed, 10/12/2016 - 12:51 -- Nick Dager

In its commitment to offer the best technical solutions in terms of cinematic exhibition, Aqualon Cinemas in Huelva, Spain has installed new Sony 4K SRX-R515P projectors for six of its nine projections screens. “We want to offer our viewers the ideal image and sound conditions of a top category cinema like our,” said José Antonio Llorente, sales manager at Aqualon Cinemas.

FuseMedia Embraces 4K Production

Thu, 08/18/2016 - 11:02 -- Nick Dager

When FuseMedia of Aspen, Colorado was founded a decade ago, it was among the first companies dedicated to the production of online video. According to production director Chris Macdonald, FuseMedia has been committed to creating "engaging, brand-specific, and emotionally packed" high definition video as a marketing tool for business across the Rocky Mountain West. Now the company has moved into 4K production.

Pixspan PixMover Software Now Available

Tue, 07/12/2016 - 11:45 -- Nick Dager

Pixspan has released its PixMover software, now supporting 4K workflow speeds. The new GPU-enabled PixMover, when used with a dual-processor server and Nvidia M6000 GPU card, operates two-to-four times faster than with a CPU-only server. The company will be demonstrating this latest version of PixMover at the Innovation Zone during the HPA Tech Retreat UK, July 13-14 in Oxfordshire, England.

Creating a 4K Master for Quality

Wed, 06/29/2016 - 15:29 -- Nick Dager

Director/DP Hal Long had a challenge. “The producers (including Bill Rogin and Cole Klapman) are committed to having a 4K master for residual use,” Long said. “And for season two, I wanted a 4K camera that would deliver better color accuracy and separation.” Long, a longtime user of Panasonic P2 cameras said that was why both seasons of Gunny Time were shot and finished in 4K with Panasonic VariCam 35 4K cinema camera/recorders.

Fast Work in Brooklyn

Tue, 06/28/2016 - 11:55 -- Nick Dager

Horace and Pete is a 2016 web series created, written, and directed by Louis C.K. A distinctive feature of the series is frequent references to highly topical current events during barroom discussions. This was made possible by having less than a week between the production and release of the episodes. It was also one of the reasons that the VariCam 35s were chosen for the show, according to post-production technical advisor Troy Thompson a longtime C.K. collaborator and colorist at New York’s Running Man.

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